essaysbysean.blogspot.com
First Quotation
First Interlude
Second Interlude
Second Quotation
Too bad people
don’t do poetry anymore. Our grandparents found it eased their toil through
this life to memorize scraps of verse. Today I offer two tragic prose quotations
as I struggle with “the meaning of life.” The second quote offers me comfort.
The first quote I memorized years ago.
First Quotation
Imagine a big WWII
prisoner of war camp. The prisoners retain their rank, and associate with peers
of their rank. Why? The Geneva Convention, certainly. Folks of higher service
rank will be in charge of the committees for things like justice, entertainment
and escape. But what of a camp where they are crowded and mistreated like so
many rats: Unlike Nazis, the Japanese don’t honor Geneva. There is very little
group purpose for the prisoners, no escape committee.
As I see it, in both
war and peace, hierarchy is human. For example, any professional sports team will
give higher status to those on the varsity, less to those on the second string.
When the superstar speaks, every athlete listens. When a collection of
individuals come together with a group purpose, whether for sports, a service
club, or whatever, the best status goes to those who best help the group
achieve its purpose: the president, the tireless volunteer, the treasurer.
If people are penned
together without a group purpose,
such as in a high school, then, according to essayist Paul Graham, the hierarchy
of status degenerates into a “popularity contest.” (Link) Graham noted how the
fluttering palace courtiers of French kings were vicious in their pursuit of
empty status. I would add that in small towns the social hierarchy for adults is
not only frozen, but serves no sane purpose that I can see.
In a healthy army,
within a healthy society, the best status will go to whoever is best helping
the army to function. Competence at the top means competence at the bottom: The
best cavalry will take care of their horses; in the best army, the officers
will cheerfully go to the very end of the lineup for the mess hall; a competent
general will not, during a mass retreat, push a private out of his jeep to make
room for his personal refrigerator. But this actually happened in South
Vietnam. (Two years before the fall of Saigon)
Saigon simply did not reward competence and honesty. (And since the U.S. Army was there to advise, not occupy, they
could not hire or fire any Vietnamese) And this meant Saigon had lousy
officers: Such a cliché, applicable to many governments in the past.
And the future? Must
corruption, political and economic, continue down the generations? The science
fiction satire End of Empire by
Alexis Gilliland is based on lessons learned from history. The novel opens
during the desperate last hours of a mass retreat by civilians. A competent
honest colonel puts a space shuttle container (think railway car) labeled as a specific
general’s “furniture” off to one side. This means one more container of desperate
refugees can be flown up to safety. It turns out the “furniture” car was
actually full of expensive artworks being shipped by that general. The general
is furious. Throughout the novel, the general keeps tugging on his white gloves
and saying to his high-ranking fellow losers, as regards the honest colonel, “…after
all, he is not one of us.” No wonder the empire falls.
Meanwhile, back at the 20th century Japanese prison camp, depicted in the novel King Rat, by James Clavel… an honest junior British officer, Peter
Marlowe, notes the senior officers hanging around together, and tugging on
figurative white gloves. A dirty senior officer has bribed a young officer by
promising him a permanent commission after the war. Later, the officer later says
to his corrupt senior peers over a card game: “My God, what bloody nerve—to
think I’d recommend him for a permanent commission. That’s just the sort of
guttersnipe we don’t need in the Regular Army. My God, no! If he gets a
permanent commission it’ll be over my dead body.”
When the
servicemen are finally freed, at the end of the war, young Marlowe looks back
and wonders.
Marlowe is processed;
he learns his father, in the Royal Navy, was on the allied convoys to Russia’s
arctic coast to supply the port city of Murmansk. Sometimes the convoys would steam
really far north hoping to avoid the wolf packs of U-boats. Sometimes that
worked.
Marlowe is told
his father was killed.
Marlowe thinks of
his respected senior officers; he wonders about a class system with corruption
and incompetence, with no relation between rank-status and serving the army, or
the greater social good. Like bureaucracy, this seems to be what every respected
senior officer, by his actions, believes in. Maybe Marlowe could conform, maybe
go along with everybody else, but he has just been through hell—what did it all
mean—what is Right?
“And Peter Marlow knew, tormented, that the only man
who could, perhaps, tell him, had died in freezing seas on the Murmansk run.”
First Interlude
My own small equivalent
of poor Marlowe would be the years I wondered if I should ignore the lessons of
Vietnam, and instead “serve the bureaucracy” like everyone else does. Did the
war mean nothing? In the end, I left
work that would take me away from serving clients by inappropriately serving
red tape; in the end, I lowered my university grade by going off topic by doing
my second of two term papers not on the class subject, but on “red tape.” My
professor apologized for having to downgrade me, but I told him I was still
passing the class, and that was fine.
Second Interlude
It seems to me
that just as people have anger issues with their heavenly father, they can have
issues with their earthly father too. My family was British and alcoholic and
we sure as hell didn’t use the word “love” around our house. Did they care?
Have concern? Today I would think so; back when I left home I felt like a
prodigal son, “not good enough.” At least, while I was living over a dozen
mountain ranges away, I had the sense to seek the clarity of a counselor and
the comfort of a church. Was my parent’s love real? In their old age, when first
they came to use the L word, I didn’t know quite what to believe.
When my father
came to my university graduation I didn’t tell him about lowering my mark; I
never asked him about leaving my job. He died last year.
Second Quotation
Connie Willis spent
five years writing her grim Doomsday Book—time
well spent.
The winter
solstice, Christmas, is traditionally a symbol of death, as the earth lies in
winter’s grip, and also a symbol of birth, as the world begins at last to move
back towards spring. Doomesday Book unfolds
both in Oxford in the future, and in a village in the medieval past. Both
time-locations have Christmas, and God, and a deadly plague. (Oxford invokes a
police-patrolled quarantine)
For research, the
university has a time machine portal. Time travel involves a so-called drop zone,
or “drop.” Because of the science of time-linkages, it’s crucial to be back at
the drop for your pick up, or else be lost...
A young graduate
student, named Kivrin, is sent back to a few years before the plague will
arrive and, of course, Something Goes Wrong. As the book’s back cover explains,
Kivrin misses her drop…
Kivrin has surgically
installed a futuristic recorder, hiding it in a fake wrist-bone spur. She had promised
an archeologist, before she left, that if, by some terribly unlikely chance,
she missed her drop, then she would try to be buried in a local churchyard: They
could dig her up, look for her bone spur, and learn about medieval life. In Kivrin’s
final recorder transcript, she is talking to her old professor.
“It’s strange. When I couldn’t find the drop and the
plague came, you seemed so far away I would not ever be able to find you again.
But I know now that you were here all along, and that nothing, not the Black
Death nor seven hundred years, nor death nor things to come nor any other
creature could ever separate me from your caring and concern. It was with me
every minute.”
Sean Crawford
April, 2016
Calgary
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