Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Wednesday, December 18, 2019

Despite Desolation


Hello Reader,
Got recovery from desolation? (“I feel desolate”)

I believe individuals, and entire societies too, can recover from emotionally (or physically) desolating events. Perhaps even become “whole.” Just the other day I read the memoirs of the man who co-founded Second Cup, with money he made in sales while attending recovery meetings. I learned the fellow had first been a homeless alcoholic street bum for years. People are not leopards; people can “hit bottom,” find their soul, and leap up higher than any beast. 

Of course, then the man lived forever “in recovery.” Joyous, grateful and cautious. 

Maybe for us mortals, becoming “whole” is only an abstraction, an ideal never achieved here on Earth. Still, to live is to try. History tells us that people in a community, even after fire and famine, or drought and population recede, will still seek out a time and place to sing together. As the bumper sticker on a time traveling DeLorean car reads, “If I can’t sing and dance, I don’t want to be part of your community.”

Here are two serious poems:


For this poem, you may recall the narrator found his sisters. At first they survived in their old house, later they joined a community. 


On Brighton Beach

I know my sisters would understand
me taking time to go see where we 
had holidays at the seashore.

A lost orange shovel lies abraded on the beach.

I stand before a slate horizon.
Dark waves swoosh flecks of oil,
and swirl onto the grey sand.
Gulls arc in the cold sky,
and scream to each other.

People are nowhere.

Soon, with Martians gone,
people will come flowing in.

My hands are cold.

People of tomorrow,
as seen on my mind’s TV,
won’t warm me today.

Gulls screech on the chilly wind.



In this poem, we are told the narrator is “a stranger.” How so? Is he passing through, perhaps a tradesman, a journalist, or merely a man with a journal? Or has his emotional desolation, remembered in italics, made him forever a stranger on earth?


In the Music Hall (By day a community centre)
Outside,
it is too dark to work.
Inside,
we sit wearing sweaters.
Onstage,
Joan Keats plays guitar.
Folks are happy.


Among hard working yard and field growers
I am a stranger in a strange town,
with a smile
deep inside me
and my notebook plunked on the table
before me.

Easy to pen lofty revelations
while everyone else
holds a stylish Mona Lisa smile,
as Joan’s grace notes
like champagne bubbles rise to the rafters.
Folks are happy.

Death on three legs walked past me
I was spared and my uncle was not.
A file of cars was immolated
They were active and I was not.
A church was filled with bodies
They prayed and I did not.

If there’s an answer
I know it not.

Here I can watch and feel. 

Joan stabs a frown in my direction,
“Hey!” Why the notebook?
“This isn’t the Oxford Library.”
My mouth holds a straight-line repose.
At last
I stab a smile back.
I guess I don’t do the Mona Lisa thing.

Folks are happy.



Sean Crawford
December
Camrose
2019

Wednesday, November 20, 2019

H.G. Wells Knew People


Hello Reader,
Got human nature?

I will tell you who knew human nature: H.G. Wells. No wonder even today there is a fan club, a club that met this fall in Central London in the old war rooms to discuss Wells and his friend Sir Winston Churchill, with presentations by experts. I missed out, as I was in Canada.

In Well’s novel The New Machiavelli, he portrayed a political meeting of affluent liberals, where even though, in that age of conformity, the attendees were in their formal dress, each person wore some sort of individual, even eccentric, distinction. Yes! That is certainly true among the leftists I know, and I’m sure Wells knew why this is so, although maybe some things an artist cannot explain in words. That same novel had a scene where a lad finds someone else is meeting with a girl he fancies: Shivering butterflies—I can relate.

I can relate, as well, to a bearded man in my poem—(beards were fashionable in Well’s day, but they could hide expressions)—a man who habitually stuffs his emotions. I once said to a lady from offshore, “I’m proud to be North American, but you’ve got to admit: We don’t do emotions very well.” She moved her hand up and down against an invisible wall and said, “Yes, we say you guys are behind a pane of glass.”

As you know, “teamsters” is the name for the international union (North America) of truck drivers, from their days with a team of horses. Today I am relating to teamsters being romantic. Actually, I don’t know what the union is called in Britain, where the trucks are called lorries. 

Here are two poems.

Romantic Drivers Roll Along Dubbin Street

On a far-seeing day Dubbin Street traffic flows north-northeast
with cars, bikes and lorries,
one-tons and flat beds,
carrying soap and steel pipes.
Teamsters young and old,
have short range and long range hauls.
Drivers like young Falcon and Old Bull.

An invisible airwave carries CB traffic.

“This is Falcon, you there Old Bull, come on?”
“Old Bull here, north on Dubbin.”
“Me too. Nice day.”
“Well Falcon, does your son know this was a Roman road?”
“My boy’s just found out, quite excited.”

The lorries rumble north on a two-millennia old highway.
Down the centuries the road has sunk low between flanking hills.

Old Bull shifts in his seat.
“My young buck liked the Romans,
now he draws Martian machines standing over the ridge.”
“My boy draws them too. Sometimes, Old Bull, 
I imagine Black Smoke pouring down the hills.”

Silent airwaves.
The CB rasps.
“I remember… imagining that too.”

Canisters release inky vapor, coiling and pouring upward,
a gaseous hill that sank and spread itself slowly
pouring sluggishly down the slope of the land.

Traffic rolls north on Dubbin.


Dark Machine

Strange reports from Woking inspire me to grab a train.
At the station I rent a bicycle,
pedal past town, through heather and trees
until I stop—to gape up at the Thing.

On three tall legs the Thing towers,
matte black, 
devoid of emotion.
Alien metal absorbs all wavelengths of color—
It moves off in a swirl of legs on its mysterious errand.

I wildly try to warn a man in town about the Thing.
He gazes at me through black-framed glasses,
over a black bushy beard.
He listens without absorbing my words,
like a stone.

Somewhere on his life’s road 
the man had clenched his feelings,
pinched his reactions, 
dulled his curiosity.
Now, he would wait in town unknowing,
stiff and alone.


Sean Crawford
November
Calgary
2019

Remarks regarding television:
~Besides the BBC one, there is yet another War of the Worlds newly on TV. This I know from an online Variety (link)

I suppose fools in Hollywood will say this one is “too long for a miniseries” the way they did for Torchwood Children of Earth series, but they would be wrong—Eight episodes is normal enough for this European production of War of the Worlds, a regular series, filmed mostly in Britain and France, taking place in the 21st century. Quote: “… a new, and very loose adaptation of “War of the Worlds,” from Urban MythCanal Plus, Fox Networks Group Europe & Africa, AGC Television, and Studiocanal "

~Just like the British TV series Torchwood Children of Earth, European shows and Japanese anime series (as in noted in my Death of Buffy essay, archived January 2012) are not always like, say, a typical Hollywood police show, with a “murder of the week,” or a sci-fi fantasy with a “monster of the week,” where the series continues into infinity until a ratings slump. Instead these shows are a pre-planned number of dramas, made to air in-order, leading to a planned ending. 

My three favorite tragic Japanese cartoon (anime) shows for young adults all have only 13 episodes. 

The first ever in-order U.S. show was Babylon-5, a “five year novel” that inspired later in-order shows  like Buffy and Battlestar Galactica to air with rising action, climax, and then a terminal ending. Very moving.

Needless to say, there will always be a place for conventional Hollywood shows.

Wednesday, October 30, 2019

Black Smoke Becomes Soot

(Any relation to this month’s “theme” of “sound” is purely coincidental)

Hello Reader, 
Got spooky silence?

If October is my favorite month, then it’s partly because of Hallowe’en—which was properly spelled with at apostrophe between the e’s in my youth—short for All Hallowed Eve, a time for creatures of the night. This was only fair, for soon the cock-a-doodle-doo would crow for All Saints Day, a new pure day without any ungodly creatures allowed… And, according to my computer spell check, it is STILL spelled that way—so there! 

If, for walking after dark, October is my favorite month then it’s because I grew up without streetlights, passing cold twisted trees and warm golden windows.

The malevolent Martians would use their Heat Rays to remove humans retail, and their Black Smoke to remove humans wholesale, in bulk. You may recall an earlier post where a very young man escaped the Black Smoke, as it was heavier than air, by staying in a church steeple for three days. By then the Smoke had vanished, leaving a coating of soot everywhere. This poem is from an older thoughtful man, probably making his way to the high ground of Primrose Hill. 


Poem
After Poison Black Smoke Becomes Soot


Our ancestors avoided the fearsome dark,
preferring to huddle warm in the campfire light.

At night I walk past lightless houses with windows vacant,
walking with silent steps on rubber soles.
Soot covers houses and sidewalks and bodies.

Our ancestors thought ghosts would hate the living.
Not here.
These sooty silent streets hold no ghosts,
only a dreadful vacancy.

Once there were bright loud streets of cheery people.
Not now.
No lights, no noise, only the sound of empty wind.



Sean Crawford
Evening of Hallowe’en
The anniversary of The War of the Worlds Orson Wells radio broadcast,
Which ends with a reference: That light? It’s just a pumpkin
town of Okotokes
2019

Sad Footnote: The BBC three-part mini-series, according to many blog commenters, is bad: Bad script, bad lines, bad acting. Such are the comments. At least there is still a new Anglo-French TV series coming within a year.

Thursday, October 3, 2019

A War of the Worlds Casualty

Hello Reader,
Got some realism?


It is a convention for entertainment writing—memoir not so much— to minimize the true awfulness of casualties. As Hollywood does. Then again, in that oldest of western literature, Homer’s bronze age tale, the gore, to modern ears, is terribly well described. But of course Homer wasn’t making entertainment: He was composing a classic.

As for the future, as when we are watching a war movie, or enjoying The Sopranos, we would do well to still have, at some level, an awareness of how things would actually turn out. Such knowledge, besides guiding us in voting against war and crime, can come in handy. For example, after the cold war finally ended, a friend confided that he chose medical school because he reasoned: If people of the future were reduced to scrabbling in the rubble then a physician would be among those few the survivors would want to keep alive.

As for the past, I keep in mind a lesson of “always become good at your craft”: I still laugh and shiver at the “too grim for prime time” story of the frontier dentist who had a gunslinger for a patient. The dentist pulled the wrong tooth by mistake. Then he pulled the right tooth. Not good craft. The gunslinger went off to the saloon, where he brooded on the popular slogan that life isn’t supposed to be fair. “Oh yea?” thought the gunslinger “Says who?” Then he went back to the dentist, pulled out his gun, and proceeded to pull two of dentist’s teeth. 

… My previous Martian invasion poems had lots of entertaining action. Today I present a poem just a touch more real, a tad less commercial, about someone who survived the panic of the invasion.



After I Panicked and Strained My Back

My body, my body,
hurts like hell, sometimes.
Hurts dimly, all the time.

In the dark,
hard to sleep,
afraid of agony-freeze.
Freeze, try to roll, freeze again.

Is this it?
My new normal?
Dare I dream of a full recovery?
I dare not, no false hopes.

I freeze mid-crouch,
the back spasms passing a doorframe.
But at least I can walk.

Am I old before my time?
No, I am outside time,
just living this day.
I have no future anymore.



Sean Crawford
September
Calgary

2019

Wednesday, June 26, 2019

Wanting Common Sense, with HG Wells


Hello Reader,
Back again?

Today’s prose and poem takes up where last week’s prose and poem left off.

Short Essay
Quotation
Long Poem

Short Essay
My parents survived the Great Depression. I survived the Great Flood of 2013—That’s when we had to evacuate the downtown. It would not have been so bad, if after the last “once in a century flood” of 2005, the city authorities, from their being “common sense challenged,” had not, after a city report was finished, classified as secret the report on the flood for five blankety-blank years! (Who knows what flood control efforts could have been enacted before the waters rolled in again in 2013)

The U.S. civil war, 1860’s, saw fighting between wooden warships covered with iron: The ironclads. The Great War was 1914—1918. Ordinary people back then thought it was a war totally surprising and unprecedented, because—because the learned authorities had neglected to notice the “total war,” (not “army versus army”) the trenches, and the machine-age weapons of the US civil war. Worse: They ignored H.G. Wells—and I don’t mean his 1898 novel The War of the Worlds with metal fighting machines (like tanks) and Black Smoke. (like chlorine gas) 

Wells wrote a 1903 short story about The Land Ironclads manned inside by commoners with a practical education, such as chemists, mechanics and electricians. The theme was that these little peace loving chaps could stand against upper class warrior-bred fellows, with their silly swords, their calvary horses and their titles like Von in their name, fellows very arrogant and very rich, but also very ignorant.  

After Wells wrote, inventing land battleships should have been a no-brainer for both allies and axis. But no. Last week I mentioned the How and Why Wonder Book of WWI where both sides sought to break the trench deadlock with a secret weapon. I wrote then how the Germans ignored the common sense idea of being prepared for an offensive deep into enemy territory: They didn’t begin by stockpiling their secret equipment. (gas masks) The allies, for their secret weapon, would be equally unprepared. (General Baden-Powell, the Boer War hero with the motto of “Be Prepared,” had already left the army, at the request of his king, to run the Boy Scout movement)

The allied secret weapons were shipped over from Britain, concealed in great containers marked “tank.” Hence the short word, “panzer” in German, that forever replaced “land battleship.” Did the British proceed to prepare for a breakout by stockpiling rations, ammunition and an army of tanks?  And maybe, perhaps, spare engine parts too? No. Although only a precious few tanks had arrived yet, they were nonetheless used in the next battle. The good news? For once, church bells rang all over Britain, rejoicing for the Battle of Cambrai—the biggest victory so far!—as the tanks rolled right over machine gun nests, supporting the army to advance through a lunar landscape for an amazing distance… of …six miles!

But without stockpiling? Once the few tanks had all broken down or been disabled—that was it. No breakout. Of course it didn’t take long at all for the Germans to rush in elephant guns and small direct-fire cannons and to invent elegantly simple and practical anti-tank ditches. (Angled so the tank’s nose would face into the dirt—full stop) 

(Elephant guns? Sure. Today huge .50 calibre machine guns, firing slowly, like you see mounted on tank turrets and Arab Toyota trucks, can punch a round into armoured cars to bounce around inside, while the normal sized .30 calibre, firing rapidly, can take out surrounding personnel)

Obviously both sides, Allies and Axis, were as “common sense challenged” as our own city hall which classified our flood report. 

In our 21st century, if Canadians didn’t join their US cousins in declaring War on Terror, or join them in Iraq, maybe it’s because Canadians, even the ones who were history-challenged, knew their government’s limitations. Meanwhile, despite seeing their cousin’s “farce” (as the Toronto police chief labeled it) of their War on Drugs, the average Canadians, while knowing the difficulty of counter insurgency, never imagined the sheer colossal incompetence, the “fiasco,” if one might speak plainly, of the U.S. war effort “to instil democracy” in Iraq. 

(Early in the “occupation,” before the Americans had the guts to call their liberation an “occupation”—Iraqi’s seeking employment would warn each other not to use that word around Americans—someone wrote a thick book called Fiasco, that obviously not a single U.S. official paid any attention to) 

Americans didn’t even involve their own State Department! Too bad, because State, of course, would know a lot about nurturing freedom. 

(State would know that former colonies, upon achieving independence in Africa and Asia in the 1950’s and 1960’s, did not come instantly, overnight, to understand democracy—And no, you can’t teach democracy with a simplistic sound bite of ‘you just need freedom and elections’—anymore than you can simplistically tell American farm boys, for their domestic war, ‘you can just say no to drugs’ or tell a South Vietnamese rice farmer, ‘you can just say no to communism.’  

State would know exactly what an embassy filled with naive Americans would not know: You can’t reach “the hearts and minds” with a mere sound bite… Two patriots wrote a best-selling book called The Ugly American, a book I’ll wager not one American in the Iraq embassy enclave, the Green Zone, ever read… Yes I’m angry, thinking of lives wasted in goddam Vietnam)  

Quotation
He was a young man, healthy enough but by no means sun-tanned, and of a type of feature and expression that prevails in His Majesty's Navy: alert, intelligent, quiet. He and his engineers and his riflemen all went about their work, calm and reasonable men. They had none of that flapping strenuousness of the half-wit in a hurry, that excessive strain upon the blood-vessels, that hysteria of effort which is so frequently regarded as the proper state of mind for heroic deeds.
The Land Ironclads (1903)


Poem 
As you may recall, last week’s poem ended after the young narrator has cried and sadly fallen asleep in the top of a church steeple, unaware of what would happen as he slept. The drama resumes:

Survivor of the Black Smoke 

I awake with dry tears,
lying stiff in the old wooden steeple 
on the floor that smells like a church,
I hear silence.
Strange, deathly silence.

I crawl up,
stand up.
I don’t glance down—I enjoy seeing a few fresh stars.
But—is something wrong?
Nothing heard.

No lorries groaning on the far highway,
their engine retarders going turrrap-tup-tup-tup.
No motor rumbles from right below.
No horns of motorists navigating narrow streets.

Something is pressing at my mind,
and I don’t want to open that door.

I look down.

Nothing. 
Only blackness.

No amber street lamps in friendly rows.
No red-white moving lights of motorists heading home.
Nothing but a black void,
formless, muffled, 
where the light shineth not.

A bat zigs past—I say, “Don’t go!”
Don’t go down into that dark fog.
The bat does not hear,
heaven does not heed.

Lonely, 
in an empty steeple,
above the silent dead.


After three days

I could descend.




Sean Crawford
Calgary
June
2019

Footnotes: 
~Wells was such a thinker! A forward to a modern (I forget which) edition of The War of the Worlds points out that Wells (in 1898) was the first to predict refugee columns, such as would (in 1914) swell the roads during the opening of the Great War, during that hopeful autumn before anyone realized the war would become horribly Great.

~Here’s the short story, as per the Gutenberg press

Wednesday, June 19, 2019

Losing Innocence, With Martians

essaysbysean.blogspot.com

Hello Reader,
Got innocence in everyday life?


Short-Essay
Quotation
Long-Poem

Short-Essay
A wit once said America was the only nation that could keep losing its innocence, and then finding it again. Even after Vietnam, America still rebounded, but was never, I think, quite the same. George Orwell noted that his generation, which came of age at the end of World War I, was rebellious, but they never knew why. Only years later did Orwell realize it was due to the loss of innocence after the great war.

His generation must have been shocked to learn the “establishment” did not care about them: At least, did not care enough to become competent and develop common sense. During the terrible incompetence of the Second World War, working in London during the blitz, Orwell would keenly scrutinize the upper class. His essay begins, “As I write this, highly civilized men are flying overhead trying to kill me…” 

During the First World War, everyone thought the Prussian General staff was world class. At that time, common sense, to any civilian, would have meant that before you start an offensive to go deep into enemy territory you stockpile ammunition, rations, grain for the horses, and other supplies. At the same time, anyone who saw a fog bank would have known the wind is not uniform but blows into banks, swirls around empty patches, and even blows “backwards” too.

You will recall that both sides had built built a vast network of trenches, from the North Sea to the Mediterranean… Stalemate, as blocked as Brexit… Both sides still hoped for an offensive, taking pains to feed and care for vast stocks of cavalry horses… to use for a glorious breakout past the trenches! Such an innocent hope. 

According to my childhood How and Why Wonder Book of WWI, eventually both sides sought to break the deadlock by finding a secret weapon: The Germans found theirs first. One day, when the wind was fair, they opened valves and advanced behind poison gas… Allied soldiers fell back, gasping and stumbling. The German’s own gas, as they advanced, sometimes blew back in their faces. Which was a problem, as the Germans had no masks and had neglected to stockpile any. Later they would even have masks for their horses, (seen in photographs) but there would be no breakout offensive, not that day. Whither common sense?


Quotation
Servicemen and learned experts know that war is not glorious, a lesson that each generation of regular civilians seems to need to re-discover. 

In the televised Sarah Connor Chronicles, as played by Lena Headey, in one of her voiceovers, Sarah muses on innocence lost:
QUOTE
In 1678 doctors diagnosed a mental affliction soldiers suffered from as 'nostalgia' - homesickness, a longing to return to the past. The cruel reality of war is that there is no return home. No return to innocence. What is lost, is lost forever. Like my father, war's wounds have bled me dry. No words of comfort; no words of forgiveness. No words at all.
UNQUOTE

From the episode Strange Things Happen at the One-Two Point. 
I like Sarah; I have her on my blog list of labels.




Poem

You may recall that just as wooden milking stools use three legs for maximum stability on an uneven dirt floor, so too did did the Martian fighting machines, great black “boilers on stilts,” use three legs.

Losing Innocence

Uncle Jack was the only one who never hurt me.

In the town of Panchester, one day, I was scared.
The Martians! The Martians!
Uncle Jack had gone to the butchers.

I was on my way to find him when I saw It:
A dark dome half obscured by the stone buildings,
moving, bobbing, sinister.

I crouched below the porch of the church, afraid to look,
unseeing, 
my mouth wide open.
It was coming this way,

I had never in my life heard my Uncle Jack yell in terror,
but I knew his voice, 
when I heard his scream.

I glimpsed a man across the street.
In a split second a dark tentacle snatched him up,
as a massive pole-leg thumped down and rushed on.

At last,
I walked further down the block.
Jack had been picked up and dashed against a wall.

I went back.

I ran up the church steps and inside to the right,
up a narrow stair,
and trembled into a ten-by-ten wooden steeple.
Knees weak, I staggered to the window 
knelt small,
with my hands and chin on the ledge.

Where was It?
There. Going up the valley rim.
Gone.

I pressed against the wall and cried.
Not the even rhythm of a child crying,
not the even sobbing of a woman,
but a cry irregular, 
rising, gasping, falling, gasping.
I would never be loved by Uncle Jack.
Never.

Exhausted,
I stretched out,
flattened to the floor,
cheek resting on the sweet old wood.




Sean Crawford
Calgary
2019
Footnote: 
H.G. Wells is a classic writer because he knew classic human nature, such as authority lacking common sense.

To document a certain lack of common sense in the present day, there has been a series of BBC exposes on the London Marathon, an exposure of unacceptable behaviour that has been going on for years. The BBC reports of this year have been about the slower, distressed marathoners being abused by staff. Here is one report about someone with, luckily for her,  a little more self-esteem than others might have because she is supposed to be slow, as a pace setter: