Wednesday, October 9, 2019

Woking of Wells and Mars


Hello Reader,
Got media pilgrimage?


On Sunday (link) we had the North American premier of the new, exciting BBC mini-series War of the Worlds. I won’t see the series myself, because I won’t pay for the T and E channel, a channel I never even heard of until now. Of course fans of War of the Worlds are excited. 

Fans of anime, over in Japan, I hear, do pilgrimages. They travel to see the real locations that anime (Japanese animation) artists use to draw their cartoons for television. (Cartoons that are far, far superior to the noisy ones made in the U.S.A.)

Being a fan of prose novels, I finally did something I have wanted to do since elementary school: Travel to see where HG Wells lived while he was gleefully writing about his neigbors being blasted by Heat Rays. As a boy I decided: Someday I would go up Primrose Hill where the narrator looks out over a desolate London, seeing a gash in Saint Paul’s cathedral. And on my first trip to England, with a detailed map of South England for tracking the Martian advance, I finally did so. What I had never imagined, in my boyhood, was that as a middle-aged man I would be inspired to write a book of poems about the novel, poems that would take place both in the real present and an imagined one. Note: Modern poems don’t rhyme.

I have been posting those poems onto my blog since Christmas, at roughly fortnightly intervals. Here is a poem of my very first hours on English soil. As you may know, the first Martian cylinder landed not in New York or L.A—go figure—but outside the town of Woking, south of London. Soon after my jet screeched down at Gatwick, I hiked  down the sidewalk and turned into the Woking historical society. I invited an historian named Duncan to guess why I had come straight from the airport. “You have relatives.” No. “A military connection.” No. (There is a big WWI Sikh graveyard) I said, “I’ll give you a hint: Three legs.” Turns out the high Fighting Machine in the town square, advancing from the direction of Horesell Common, is affectionately known as Tripod. I had a swell time in Woking, staying at two hotels, (my first time ever seeing Downton Abbey, in the hotel cafetria-lounge) but never staying, as it was full, at the HG Wells Hotel. Here’s a poem:

Into Woking

I flew the strato-jet from Calgary to the airport,
from the airport I rode a passenger train to Woking,
from Woking station I backpacked to the historical society.
I met Duncan who expressed his regrets 
that Occidental College is now Occidental Shopping Centre.
We both remember how the Martian Heat Ray 
blasted the college, 
putting the chimney 
of Mr. Wells’ house 
in line of sight of the Ray.
Crack! went the chimney.

The house of H.G. Wells has a little plaque.
I stood outside his home 
with my back to the raised rail line across the road.
Wells knew the station was close yet too far
so he borrowed a cart and drove his wife to Leatherhead.

The cart was borrowed 
from the owner of the Spotted Dog.
The horse, 
poor brute, 
suffered a broken neck.
The owner, 
poor man, 
was found dead in dark of night.
Wells, 
mercifully, 
was innocent of
what was to become of Leatherhead.

Today there is no Spotted Dog.
Locals raised on Wells tell me with distaste
a few years ago 
a car dealer 
levelled it to make a paved lot.

A bar named Ogilvies has a sign of a telescope.
Inside are many old pictures of telescopes—
etchings, lithographs, engravings,
but no mention of Ogilvie, 
a friendly astronomer
and a good man 
who perished under a flag of truce at the sandpit.

A bar of the Witherspoon chain has a Wells theme.
On the ceiling are two great illuminated glass circles,
a clock face,
and a circle of book pages,
readable from the floor. 
A local eagerly asks, 
“Do you want to see time go backwards?”
“Yes.”
He rushes over to the secret switch 
for the Time Machine.

Someone says George over there 
was the model for the Invisible Man.
George raises his glass to salute
while the Man sits alone 
in the window 
wrapped in his bandages.

I pull out my walking map from the town library.
A drinking buddy tells me the sandpit isn’t marked. 
“Just go there, and turn here,” says the friendly man.

No one wants to drink under the gaze of nasty Martians. 
Far down the hall to the loo is an old steel etching,
a stiff Martian holds a projector to blast a bridge.
Be thankful those times are long ago.


Sean Crawford
October
Calgary
2019

Sidebar of childhood memories:
Penguin books always had plain covers, (Not for sale in the USA) except for some of the comic ones—and The War of the Worlds. I read it cover to cover while at a thrift store, waiting for my mother to finish volunteering. She said cruelly that I should have waited, because now I had it all finished before I even got home.

Through “the bush” (as we called it) from my home was a high jump sawdust pit at the far edge of the vast school grounds. There pop cans dented the sawdust like crashed Martian cylinders. I remember running to the pit and crying myself to sleep. When I awoke I saw a brown rabbit very close by… 

I had often cried from abuse, utterly normal crying, but that was the day I faced a Truth about my life and my mother, a Truth of horrible knowledge and despair, a day I will recall forever, to be used when I wrote of a boy running up the church stairs to cry in a bell tower, to be asleep and safe when Black Smoke smothered the rest of the town. (Archived June 2019 as Losing Innocence, With Martians)



  

Thursday, October 3, 2019

A War of the Worlds Casualty

Hello Reader,
Got some realism?


It is a convention for entertainment writing—memoir not so much— to minimize the true awfulness of casualties. As Hollywood does. Then again, in that oldest of western literature, Homer’s bronze age tale, the gore, to modern ears, is terribly well described. But of course Homer wasn’t making entertainment: He was composing a classic.

As for the future, as when we are watching a war movie, or enjoying The Sopranos, we would do well to still have, at some level, an awareness of how things would actually turn out. Such knowledge, besides guiding us in voting against war and crime, can come in handy. For example, after the cold war finally ended, a friend confided that he chose medical school because he reasoned: If people of the future were reduced to scrabbling in the rubble then a physician would be among those few the survivors would want to keep alive.

As for the past, I keep in mind a lesson of “always become good at your craft”: I still laugh and shiver at the “too grim for prime time” story of the frontier dentist who had a gunslinger for a patient. The dentist pulled the wrong tooth by mistake. Then he pulled the right tooth. Not good craft. The gunslinger went off to the saloon, where he brooded on the popular slogan that life isn’t supposed to be fair. “Oh yea?” thought the gunslinger “Says who?” Then he went back to the dentist, pulled out his gun, and proceeded to pull two of dentist’s teeth. 

… My previous Martian invasion poems had lots of entertaining action. Today I present a poem just a touch more real, a tad less commercial, about someone who survived the panic of the invasion.



After I Panicked and Strained My Back

My body, my body,
hurts like hell, sometimes.
Hurts dimly, all the time.

In the dark,
hard to sleep,
afraid of agony-freeze.
Freeze, try to roll, freeze again.

Is this it?
My new normal?
Dare I dream of a full recovery?
I dare not, no false hopes.

I freeze mid-crouch,
the back spasms passing a doorframe.
But at least I can walk.

Am I old before my time?
No, I am outside time,
just living this day.
I have no future anymore.



Sean Crawford
September
Calgary

2019